Best Vlogging Cameras Under 200$

The most crucial thing you can do if you want to create a great video blog channel, as I always say, is to get started right immediately. This is why, to meet your budget, I’ve made a list of the best YouTube vlogging cameras under $200. This article will assist you in getting started generating content if you do not already have a decent camera.

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1. Fujifilm FinePix S8500

Fujifilm FinePix S8500 Review | Photography Blog

The Fujifilm FinePix S8500 is a digital compact camera with a massive 46x optical zoom lens that starts at 24mm and goes up to 1104mm at its maximum telephoto. It also features a 16-megapixel back-illuminated sensor, Full 1080p HD video at 60 frames per second, a 1cm super macro mode, a continuous shooting speed of 10 frames per second at full resolution, an electronic viewfinder, easy upload options for sharing your photos and videos, and is powered by AA batteries.

The Fujifilm FinePix S8500 is only available in black and costs slightly under £200 in the UK. Between a bridge camera and a superzoom, there used to be a thin line. It used to be a distinction between having manual controls and having fully automatic controls. Other features such as a viewfinder and raw recording were automatically included in the feature set if it featured manual controls.

That border is blurring these days, and as newer cameras are launched, they offer a mix of those features. Manual control, raw recording, an electronic viewfinder, a metal tripod bush, and either a manual zoom ring or a zoom lever on the lens barrel are all features that we’d expect to see on a bridge camera. Some of these features are available on the Fujifilm FinePix S8500, but not all.

Manual controls, such as aperture priority, shutter priority, and manual, are available. It includes an electronic viewfinder for telephoto settings (or just because you like to shoot that way), but only a plastic tripod bush. For a camera with such a large zoom, this is a unique function.

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The 16 megapixel sensor is still back-illuminated for improved low-light performance. The lens has a zoom switch on the side, which is useful for keeping the camera steady while zooming in on a moving object. The Fujifilm FinePix S8500 is a mixed bag. This isn’t the first camera to do so, either. In fact, it’s simply following a recent trend of smeared dividing lines on bridge cameras and superzooms.

The command dial on the top plate is large and hefty, and it offers additional features in addition to the manual controls stated above. Panorama, SP (Scene Position), Adv. (Advanced settings such as HDR, Low Noise, and High Resolution), Auto, and SR Auto are all options. The “do everything for you” auto is the last mode.

Fujifilm has included a sliding power switch alongside the command dial on the FinePix S8500. This prevents the camera from being turned on by accident, protecting the lens and the battery. The exposure compensation and burst mode buttons are right in front of that. The shutter release button is perched on the edge of the thick grip, surrounded by a large secondary zoom ring.

The Fujifilm FinePix S8500 features an Electronic Viewfinder (EVF) on the back, which is located just behind the pop-up flash. Although the large screen takes up the most of the back, there is still enough of room for the buttons to the right of the screen. The S8500 has a direct record button for shooting video on the move, and it can record FullHD video.

The Playback button is directly behind that, and it allows you to see previously shot photographs and video. In fact, the navigation pad is a wheel. It can be pressed to the left, right, up, and down, but the ribbed wheel can also be twisted to navigate menu systems more quickly. The access button to the Main menu is in the centre.

The battery and memory card slots are located on the bottom of the device. The Fujifilm FinePix S8500 uses AA batteries, which have sparked debate in the past about whether they’re a good idea given how much power digital cameras consume. These difficulties have been resolved in recent years, with the introduction of bigger capacity batteries and the development of more fuel-efficient cameras.

It also means that if your batteries die while you’re out and about, you can get replacements from almost any tourist shop or grocery. The S8500 is compatible with SDXC and takes Secure Digital (SD) memory cards. These are ultra high-capacity cards with a theoretical capacity of two terabytes (2048Gb).

The Fujifilm FinePix S8500 features only one Main menu, which is accessed via the button in the centre of the navigation pad on the back of the camera that we discussed earlier. For shooting and set-up, the menu is divided into two areas. You may choose ISO, white balance, resolution, compression, and AF choices, as well as metering, video, and flash modes, from the Shooting menu.

You may change more in-depth features like the date and time, the camera’s language, sound controls, reset the camera, and format the memory card by pressing left to travel down to the Set-up menu tab.

Depending on the mode you’re in, new additions to the menu system will surface. If you’re in Advanced Filter mode, for example, a new option to change the filter will show in the Shooting menu. Working out can be a little perplexing at first, but once you’ve done it a few times, you’ll be fine.

The start-up time from cold is roughly 1.8 seconds, which is great considering it’s a sliding power switch, which are notoriously slow to respond in our experience. The average startup time of 2.5 seconds appears to be decreasing these days, and it is now under 2 seconds. The Fujifilm FinePix S8500 has seven continuous shooting modes.

A Best Frame Capture mode and an AE Bracket are among the options on this list. We continued receiving a 0.145sec delay between pressing the shutter release and the photographs actually being captured.

There might be some reflexes to think about as well. The camera had already been pre-focused. SH1 (Super High mode, option 1) shoots video at a frame rate of roughly 60fps (frames per second) at a resolution of around 2 megapixels.

It just comes to a halt after that in order to download, which can take some time. SH2 records at 640×480 (about 307,000 pixels) at 60 frames per second. The only actual benefit of lowering the resolution is that it will take less time to download. It just lasts around five seconds altogether.

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Low, Medium, and High are the three continuous settings available. At full photographic resolution, Low mode shoots roughly 16 frames in ten seconds. It shoots a burst of four frames in the first second, then starts down till it’s only taking one frame per second by five seconds.

Medium speeds up a time, taking five shots in the first second, but then slows down, taking one extra shot in the ten second period. High mode shoots at 9 frames per second before slowing down. In ten seconds, we received 18 shots. The time it takes to transfer this data to the memory card is longer. Each burst test took little under 30 seconds to download using Class 10 SDHC cards.

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2. Nikon Coolpix L840 : Nikon COOLPIX L840 Digital Camera with 38x Optical Zoom and  Built-In Wi-Fi (Black) : Electronics

The Nikon Coolpix L840 succeeds the Coolpix L830 from last year, but it follows the same formula of providing a hefty bridge camera with a large optical zoom range for a low price.

Over its predecessor, the L840 has received a couple of enhancements. The optical zoom has been increased to 38x (up from 34x in the L830), and while the 22.5mm-equivalent wide angle focal length remains the same, the telephoto reach has been increased to a 35mm-equivalent 855mm. The lens also has lens-shift Vibration Reduction, which is critical for getting sharp shots when zoomed in.

A 16.0-megapixel CMOS sensor is still used for image capturing, although Nikon has made some processing advancements. The ISO range has been increased by one stop to ISO6400, and the L840 can now continuously shoot seven photographs at 7.4 frames per second, whereas the L830 could only capture five images at 6.7 frames per second.

The L840’s most significant new feature is Wi-Fi networking, which allows for remote camera control and wireless image sharing via a smartphone or tablet. NFC pairing is also available, making setting up a wireless connection with an NFC-enabled smart device a breeze.

A tiltable high-resolution 3.0″ monitor, nine filter effects, as well as a sophisticated Smart Portrait mode and Glamour Retouch post-processing effects to flatter shots of friends and family, are among the other features. Although Nikon offers the L840 as a bridge camera that falls somewhere between a compact camera and a DSLR in terms of performance and control, that’s pushing the genre.

The L840 may resemble a DSLR in appearance, but that’s where the similarities end. The L840 is similar to Nikon’s shirt pocket-sized Coolpix S3700 in terms of creative and manual control. However, this makes it lot more user-friendly than you may expect.

The Nikon Coolpix L840’s hefty form adds to its ease of use, not just because the control layout is nearly identical to that of a standard point-and-shoot small camera. Although the distance between the hand grip and the lens barrel may be a little tight for some, the sticky rubber covering keeps the camera firmly in the hand, and there’s also a decent-sized rear thumb rest.

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You’ll have no issue creating shots from high or low angles, thanks to the 3.0″ screen’s ability to tilt up or down 90 degrees. Because it can’t turn 180 degrees to face front, you’ll have to determine the best selfie angle. The screen itself has the same characteristics as the panel on the previous L830, with a high 921,000-dot resolution and excellent viewing angles that make judging exposure and color accuracy easy.

However, the screen is still not touch sensitive, and there is no electronic viewfinder to save money. The Nikon Coolpix L840 lacks a traditional mode dial, so you’ll have to change shooting settings by pressing the Scene button on the back panel. There are eighteen independently selectable scene modes, including a sweep panorama function, in addition to the default, scene-detecting Scene Auto Selector mode.

The Scene button also gives you access to the L840’s nine filter effects (examples can be seen in the Image Quality section of the review), as well as a Short Movie Show function that compiles short video clips into a thirty-second movie with adjustable backing music and special effects.

When shooting a portrait, you may also use the Scene button to select Nikon’s Smart Portrait technology. Smooth skin, add virtual foundation make-up, soften the entire image, and adjust color saturation and brightness automatically with the camera. By pressing the arrow buttons on the back directional dial, you can choose the intensity for each setting ahead of time.

The method is remarkably precise, though if you want flattering shots rather than cartoons, you should avoid any of the more severe settings. If you’d rather apply these effects to a previously stored image, find it in playback mode and press the Menu button on the back panel.

More touch-up options may be found by scrolling down to Glamour Retouch, which includes chin size adjustment, skin glare reduction, eye size, color, whiteness, and under-eye bags adjustment, as well as options to redden cheeks, apply mascara, and apply lipstick. These effects are aimed correctly at their key face features and can be pretty useful, but they’re also great for a chuckle if your person is straight facing the camera and occupies the majority of the frame.

The Auto mode is the final option given via the Scene button. This is similar to the programmable auto setting on most cameras, and it allows you to use the Menu button to change things like white balance, ISO sensitivity, and autofocus area. The camera’s continuous shooting mode, as well as image size and quality options, are all found here.

Press the Menu button to return to the default Scene Auto Selector mode, where only the latter can be modified. Exposure compensation is the only common shooting variable not controlled by the Menu button. By pressing the right side of the circular directional ring on the back panel, you can adjust exposure compensation up to +/- 2.0EV, which is reset to normal when you turn the camera off.

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When the L840 is in regular Auto mode, pressing this control ring down selects macro focusing, and the remaining control ring functions alter the self-timer and flash options.

The flash is a pop-up design similar to those seen on most DSLRs, and it must be manually removed using a release button located next to your left hand. This is useful because there’s no way the flash will fire when you’re not expecting it when it’s turned off.

3. Panasonic Lumix DMC-TZ30

Panasonic Lumix DMC-TZ30

Panasonic’s premium travel-zoom compact camera, the Lumix DMC-TZ30 (also known as the DMC-ZS20 in the US), features a 20x 24-480mm lens, 14.1 megapixel high sensitivity MOS sensor, 1080p Full HD movies at 50/60fps, 3 inch touch-sensitive LCD screen, and fast burst shooting at 10fps with continuous auto-focus.

The TZ30 features a 23-point multi-area autofocus system, A, S, and M exposure modes, Intelligent Auto and a variety of scene modes, Intelligent Resolution, which digitally boosts the zoom ratio to 40x, 3D still images, and Creative Controls, HDR, Panorama Shot, Creative Retouch, and Auto Retouch modes, as well as Creative Controls, HDR, Panorama Shot, Creative Retouch, and Auto Retouch modes.

The headline specifications include an improved Light Speed auto-focus system, Venus Engine VI processor, and POWER O.I.S. anti-shake system.

In terms of external form and appearance, the Panasonic Lumix DMC-TZ30 is nearly identical to its predecessor, the DMC-TZ20. The Panasonic Lumix DMC-TZ30 appears to be a little huge, elongated, and bulky for a compact camera at first appearance, but it’s actually the same size and weight as the TZ20 model.

Then you have to remind yourself that Panasonic has crammed in a 20x zoom lens, comparable to 24-480mm on a 35mm camera, that covers everything from ultra-wide angle landscapes to close-up action photos.

The lens doesn’t extend too far from the front of the TZ30, even when set at 480mm, giving it the appearance of a “regular” compact camera. Because people assume you’re using a standard point-and-shoot camera with a considerably shorter range, the DMC-TZ30 is ideal for candid moments.

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The 24mm focal length offers a completely new broad angle of view, which can only help you be more creative. After using the 24mm lens on the DMC-TZ30, you won’t want to go back to a “standard” 35mm zoom, or even a 28mm one – 4mm at the wide-angle end makes a huge difference.

The 20x zoom lens makes this one of the most versatile compact cameras on the market in terms of focal range, especially when coupled with Panasonic’s outstanding POWER O.I.S technology, which helps that the majority of images taken in bright light are sharp.

The TZ30’s lens isn’t especially fast at either the wide-angle or telephoto settings, with maximum apertures of f/3.3 and f/6.4, respectively, but given the focal range on offer, we believe this is a worthwhile tradeoff.

The DMC-TZ30 is a well constructed camera with a metal body. The 20x lens on the front and the huge 3 inch LCD screen on the back are the focal points of the design. The lack of an optical viewfinder makes it a little more difficult to keep the camera steady at the telephoto end of the zoom than holding it up to your eye.

The TZ30 has a wide rubberized handgrip on the front, which is a significant improvement over its predecessors, as well as a small dimpled region on the back. The TZ30 has a 15.1 megapixel sensor, but it only uses 14.1 megapixels to offer three distinct aspect ratios – 4:3, 3:2, or 16:9 – without changing the field of view.

The Multi Aspect mode concurrently captures an image in all three aspect ratios and lets you to choose the best one. The TZ30’s Live MOS sensor also allows for high-quality HD video and rapid continuous shooting rates.

Despite the number that it has a full range of manual shooting modes, the Panasonic Lumix DMC-TZ30 is not unduly complicated in terms of external controls. The majority of the 14 controls are clearly labeled and similar to most cameras, with the exception of Panasonic’s Q.Menu and iA shooting mode, which require a short study of the user guide.

On the top of the TZ30 is a classic dial with a positive clicking movement that lets you to select the various shooting and scene modes. This dial is a common feature of SLR cameras, and it enables you to switch between modes rapidly.

Interestingly, there are two Custom options available that allow you to save and rapidly retrieve two camera configurations, which is quite handy if you frequently use the camera for objects or conditions that are vastly different.

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The DMC-TZ30 has the same 3D Mode as its predecessor. When you select this option, the camera will urge you to pan 10cm from left to right, during which time it will snap 20 consecutive high-speed shots. The finest two shots from the sequence are then automatically selected to create a 3D image.

Although it isn’t as convincing as images taken with Panasonic’s 3D Micro Four Thirds lens or the Fujifilm 3D W3, for example, you can only see the results on a 3D TV (the TZ30 records standard MPO files) and it isn’t as effective as images taken with Panasonic’s 3D Micro Four Thirds lens or the Fujifilm 3D W3, it does create a convincing effect that suits subjects that are close to the camera.

The Panasonic DMC-TZ30 joins a growing number of Panasonic compacts that offer extensive exposure controls, including full manual (M), aperture-priority (A), and shutter-priority (S) modes, which will appeal to more experienced photographers right away. The lens’ aperture range (F3.3 – 8.0 at 24mm and F6.4 – 8.0 at 480mm) is somewhat limited, but the option to pick from 60 – 1/2000th second shutter rates and set both the aperture and shutter speed if desired offers up a lot of creative possibility.

Unfortunately, RAW file capability is still missing, which would have been the cherry on top for serious photographers seeking for a backup camera to their DSLR. Panasonic’s now-famous Intelligent Auto Mode is also included on the DMC-TZ30.

Panasonic has attempted to make things as simple as possible for the complete beginner by giving this shooting mode, which allows you to easy point and shoot the camera without worrying about selecting the appropriate mode or settings.

When shooting a photo, Intelligent Auto Mode automatically determines a number of critical criteria, including as the most appropriate scene mode and ISO speed, as well as turning on face detection (up to 15 faces), image stabilization, and rapid auto-focus.

Intelligent Exposure enhances the exposure solely in the image’s under-exposed areas, and Digital Red-eye identifies and removes red-eye automatically. In the Normal Picture mode, Intelligent Exposure can also be enabled (but strangely not Digital Red-eye).

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4. Fujifilm FinePix XP80 (Fujifilm FinePix XP80)

FUJIFILM FinePix XP80 Digital Camera (Blue) 16449430 B&H Photo

For quite some time, Fujifilm has used a pretty similar design for all of its rugged cameras, and the XP80 is no exception. The camera features rounded, curving corners and comes in a variety of colors, including the vivid purple that Fujifilm provided for this review.

The lens, which is completely encased within the camera to ensure that it is waterproof, protrudes a little from the top of the camera in a rounded form. A ridge on the front of the Fujifilm FinePix XP80 allows your finger to rest comfortably and aids gripping. Because it doesn’t extend too far from the front of the camera, it may be less effective if you’re wearing gloves.

The only way into the Fujifilm FinePix XP80 is from the side, as the rest of the camera is sealed and encased for water tightness. The memory card port (for SD cards) and the power cord socket, as well as the battery, are located on the side of the camera. These are guarded by a door that is sealed by a twisting mechanism that must be turned to open.

Because you must press a button in the centre of the lock to twist it, it’s doubtful that you could do it by accident. The Fujifilm FinePix XP80 has a lot of buttons, all of which are conveniently accessible with your thumb when holding the camera in your right hand. This makes it incredibly easy to use with just one hand.

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The on/off button, video record button, and shutter release button are all located on the top of the camera. The shutter release button is tactile and very large, which is handy while wearing gloves or using the camera underwater.

The rest of the camera’s buttons are located on the camera’s back right side. The zoom buttons are located towards the top of the camera and are labeled W (wide) and T (telephoto) (telephoto). These are elevated from the camera’s body, making it easier to use while working underwater or with gloves.

The buttons can be a little tight to use under normal circumstances, but holding them down advances or retracts the zoom pretty smoothly and quickly. Just behind the telephoto button is a little playback button, which is fine to use in normal settings but a touch more fiddly with gloves on.

A standard four-way navigational pad is just beneath this button, but it’s a little small and fiddly to use with gloves on. It’s not that horrible if you’re only going to use it underwater.

When it comes to the menu, this is where you’ll make any key settings adjustments that aren’t already covered by the directional pad. In this menu, you’ll also find the many exposure modes available to you. For the most part, you’ll probably want to shoot in Scene Recognition Auto, as this will allow the camera to automatically select a scene mode and apply the optimal settings.

Switching to Program Mode, on the other hand, gives you a little more control. While you won’t have the same level of control as with manual control, you will be able to modify some settings, such as ISO sensitivity. Other exposure modes include complex digital filters for experimenting with the aesthetic of your images, as well as diverse scene modes including underwater, landscape, and panorama.

It would have been wonderful if the Fujifilm FinePix XP80 had a quick access button instead of having to go through the menu system to make some of these modifications. However, rather than worrying about changing settings regularly, this camera is all about shooting images and focussing on composition.

The menu system, on the other hand, is very straightforward, and with only a few options to choose from, it doesn’t take long to become used to it. There’s a shooting menu as well as a settings menu, with options like adjusting the date/time, silent mode, memory card formatting, and so on.

The Fujifilm FinePix XP80’s Wi-Fi capability is easy to use. You have two options: utilize your phone/tablet as a remote control for the camera (excellent for selfies, group photos, and just weird angles), or send image(s) you’ve already taken to your phone for sharing on social networks and the like.

Aside from turning on the flash, the self-timer, and extending or retracting the zoom, there aren’t many settings you can adjust with the remote control software. From within the app, you can take both stills and video.

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