Best Nikon Cameras For Vlogging

In this review, you’ll learn everything there is to know about the best Nikon vlogging cameras and the features they have to offer! Nikon has, without a doubt, been a great video and vlogging camera for many years.

Despite the fact that it has a lot of competitors on the market, this camera is still at the top of the list and has a lot of useful features. Continue reading this unbiased review to learn about the best Nikon cameras for vlogging and making videos.

What Are the Benefits of Using a Nikon Camera for YouTube Vlogs?

Although many Nikon competitors have smaller cameras for easy vlogging, if you want a high-quality in-camera, this camera is still a good option. Besides, as you can see, this is not a small camera, but it could be useful not only for making vlogs but also for taking good photos, such as thumbnails for your videos! Makeup vloggers adore this camera brand above all others because it allows them to not only create high-quality vlogs but also take beautiful makeup photos.

Food vloggers adore this camera because it produces both a great vlog and a nice photograph. In general, this camera is for everyone, but if you want a camera that can take both pictures and videos, you should go with Nikon, which has the ability to capture high-quality images and perfect videos.

Best Nikon Vlogging Cameras

1. Nikon Z50

The Nikon Z6, an all-arounder that presently sits atop our best camera list, made a brilliant start in the mirrorless full-frame world. Now, with the dinkier, more hobbyist-friendly Nikon Z50, it’s attempting to recreate the feat for APS-C cameras.

What are APS-C cameras, and what do they do? This sensor format was popular in the early days of DSLRs, and it’s still used in cameras that aren’t full-frame. These sensors, which are smaller than full-frame and are referred to as DX-format by Nikon, are used in more compact, cheap bodies that are ideal for travel.

The Nikon Z50 isn’t particularly compact for an APS-C camera. Nikon has prioritized handling in the form of a generous grip above a very tiny body, which is the calling card of cameras like the Fujifilm X-T30, perhaps thinking of individuals who might be turning away from DSLRs. The Z50 is distinguished by its usage of the same Z-mount as the Z7 and Z6.

This means you can utilize existing Z-mount (DSLR) lenses as well as F-mount (DSLR) lenses via an extra adapter. However, two lenses were built specifically for the DX-format, and they are expected to be joined by a slew of others in the future.

A 20.9MP sensor lies at the heart of the Z50, which is joined by an Expeed 6 processor (the same one found in the Nikon Z6/Z7). Although it has the same pixel count as the Nikon D500 DSLR, it isn’t the same sensor, according to our sources. The Expeed engine makes capabilities like 4K video recording and the native ISO range, which starts at ISO 50 and goes up to ISO 25600, possible.

The same hybrid autofocusing mechanism from the Z6 will be present, with 209 on-sensor AF points covering around 90% of the frame and promising edge-to-edge sharpness. Low-light sensitivity of -4EV is claimed, as Eye-Detection AF, which might come in handy when photographing people; but, unlike Sony’s similarly specced models, there is no Animal Eye AF.

A 0.39-inch, 2360k-dot electronic viewfinder (smaller and poorer in quality than the one on the Z6/Z7) or a 3.2-inch tilting TFT LCD (touch-sensitive) are available for image composition. Unlike the Z6/Z7, you can swivel this camera to face forward from the bottom hinge, which is great for selfies but not so much for mounting it to a tripod.

The ability to shoot 4K video is now quite normal on most cameras, and the Z50 has it, at frame speeds up to 30fps. There’s built-in Wi-Fi and Bluetooth for transferring files to your smartphone, which works with Nikon’s SnapBridge software. There’s also a micro USB port for in-camera charging, so you can use a portable external battery to recharge it, though it’s a shame this isn’t the more ubiquitous USB-C connection type.

Last but not least, instead of the XQD format utilized by the Z6/Z7, this camera takes SD cards in its single card slot. This is wonderful news for individuals who already have a stack of SD cards – and for those who don’t, because SD cards are far less expensive than XQD. When you compare the Z50 to its full-frame brothers, the Z6 and Z7, you’ll see a strong family resemblance.

The layout, viewfinder positioning, and button layout are all the same, but in a smaller frame. Using the camera with the new Nikkor 16-50mm f/3.5-5.6 ‘pancake’ lens results in a very compact total package; it’s not quite pocket-friendly, but it fits into smaller bags considerably better than a full-frame counterpart.

However, several controls have been deleted to save space. There is no top-plate LCD on this camera, and there is no joystick on the back. We didn’t miss the former too much, but a joystick for altering the AF point would have been quite useful.

Unlike other competing cameras, you can’t use the touchscreen while looking through the viewfinder, which slows down the process of picking the optimal AF point because you have to use the slower directional keys; however, it’s not the end of the world.

On the plus side, despite being housed in a tiny form factor, the buttons that are present don’t feel overly cramped. The grip is also well-defined, making it easy to hold for extended periods. Some of the functions of the missing buttons, such as the magnify option and the display button, have been replaced with ‘virtual’ touchscreen alternatives.

On the top of the camera, there’s a mode dial with a switch that lets you go from shooting stills to shooting video and back. A dedicated video record button, an ISO button, and an exposure compensation button are also included on the top of the camera.

While the electronic viewfinder on the Z50 isn’t quite as good as those on its full-frame brothers – not that you’d expect it to be – it’s still extremely useable, and if you’ve never used one of the full-frame models, you’ll be less likely to notice the difference.

The tilting screen is also excellent, with the new forward-facing option useful for selfies and video shooting, though some users will be unhappy that it is difficult to use while the camera is mounted on a tripod. The Nikon Z50 has the same AF system as the Nikon Z6, with a whopping 209 points that provide 90 percent coverage throughout the frame.

When set on Auto-area AF, the camera is capable of locking onto subjects swiftly and simply in most settings, and it only picks out the wrong subject to lock onto on rare occasions. When you switch to Single-point AF, you can choose your AF point. Only in low-light situations will there be some hunting before the system latches on to the subject, but a false confirmation of focus is extremely unusual.

Switch to AF-C and enable a continuous frame rate for moving subjects. While the Z6 and Z7 function admirably when the subject is pretty predictable, such as following something that isn’t moving too wildly, they fall short of what Sony has done with cameras like the A9 and even the Sony A6500 from its APS-C range.

This is probably not the camera for you if you enjoy photographing sports and activities. However, it manages to cope quite well with the occasional moving topic, such as pets and children.

Only the slower UHS-I SD cards are compatible with the Z50, which is a bit unfortunate. Although shooting at up to 11 frames per second is possible, relying on these cards causes the buffer to fill up quickly. However, if you’re only shooting for a few seconds at a time, it shouldn’t be a problem.

Eye AF does an excellent job at recognizing and following a subject’s eye in a scene, even when the face moves about. Again, professional portrait photographers are unlikely to use this camera significantly, but for individuals who take family photographs, this feature can be really useful.

The Nikon Z50 provides photographs with an excellent overall impression of detail, despite having a smaller sensor and lesser resolution than the Z6 and Z7.

When pixel-peeping at 100%, you’ll see that the detail isn’t nearly as fine as the 45.7MP Nikon Z7, but you wouldn’t expect that for the price and level – besides, not many enthusiasts and amateurs are likely to be analyzing their photographs that closely anyway.

2. Nikon Z7

Nikon’s initial foray into mirrorless photography was intriguing, but not quite as successful as the firm had planned. While its models featured some unique features and sold successfully in some countries, their 1-inch sensors and bodies that were a little too barren of physical control meant there wasn’t enough here to attract the enthusiast away from what they were using at the time (or rival mirrorless lines).

The Nikon Z7, along with its Z6 launch partner, is the first of two cameras in the company’s innovative Z system, which is unlike anything else. With a new lens mount designed specifically for wide-aperture lenses and its first two models based on full-frame sensors, this is a system that many photographers have been waiting for.

The Z7 is the more senior of the two, with the D850 being the closest DSLR equivalent in the company’s lineup. With Sony already on its sixth full-frame mirrorless camera, and Canon lately spoiling Nikon’s fun with its own full-frame mirrorless EOS R model, the Z7 has been released at a difficult moment.

The Nikon Z7 has the same 45.7MP (effective) pixel count as Nikon’s still-popular D850 DSLR, and both sensors use a backside-illuminated (BSI) design for improved light capture and no anti-aliasing filter for enhanced detail capture. The Nikon Z7’s sensor, on the other hand, is unique; while we don’t know how it compares in terms of performance, it does have 493 phase-detect AF pixels to aid focusing — more on that later.

There’s also a new lens mount, which now supports three native lenses but will support many more in the coming years. The flange depth is only 16mm, and the lens mount diameter is a generous 55mm, making it ideal for high-quality lenses with large apertures. A NIKKOR Z 58mm f/0.95 S Noct lens, for example, will be released in 2019, which Nikon has hyped since the Z system’s inception.

The Nikon Z7 produces images with a maximum resolution of 8256 x 5504 and a file size of 17-31MB, depending on what you’re photographing, the ISO level, and other factors. These are 130MB when opened in Photoshop with default settings.

You may also set the Nikon Z7 to capture 14-bit raw files in compressed, lossless compressed, or uncompressed formats, as well as output TIFFs right away if necessary.

Vibration Reduction is housed inside the camera rather than in the lens, which is one of the most significant differences between the Nikon Z7 and its DSLR counterparts. This system can work on five axes: roll, pitch, yaw, and X and Y shift, and is stated to be effective for up to five stops.

For current Nikon users, the fundamental benefit of this VR system is that their older non-stabilized lenses can now benefit from the Z7’s equivalent technology. This is made possible via the optional FTZ adapter, which enables the use of F-mount lenses.

Nikon promises that AF and auto-exposure will be maintained with 90 or so lenses and that AF will be maintained for a total of 360. If you have an optic with VR built-in, the two systems will join forces and work together.

The Nikon Z7’s viewfinder features a 3.69 million-dot OLED panel with a magnification of 0.8x, as well as a 2.1 million-dot tilt-angle touchscreen. The 5.67 million-dot panels that have appeared on the Fujifilm GFX 100 and Panasonic S1 and S1R have slightly overtaken the 3.69 million-dot panel, but we’ll look at how well it works in a moment.

The Nikon Z7’s 4K video recording is only available in 4K UHD (3840×2160), not both DCI 4K and UHD 4K, and footage can be taken at 30, 25, and 24 frames per second.

Nikon claims that if you’re willing to apply a DX crop to the footage – which, depending on your subject, lens, and other factors, may even be preferable – you’ll benefit from slightly crisper footage, as it will capture 5K-worth of information with full-pixel readout before downsampling to a 4K output.

4K recording is supported by Full HD recording up to 120/100p, which can be produced 5x and 4x slower, as is now standard on such cameras, and the option to shoot 4K-resolution (8.3MP) stills during recording has also been cut.

Nikon has also picked the Z7 to premiere its Log shooting mode, branded N-Log, which comes with a slew of extras like zebra patterning, focus peaking, and timecode.

You may use an electrical version of the company’s Vibration Reduction to keep your recordings steady, either on its own or in conjunction with the sensor-based system, and you can connect a microphone and headphones for audio monitoring and recording through ports on the camera’s side.

Nikon’s decision to equip the Z7 with a single XQD card slot has been received with criticism, both for the format choice and the lack of a secondary slot, but the firm is quick to emphasize the rigidity and performance benefits of these cards.

Furthermore, future support for the CFExpress successor is planned, potentially preparing the Z system for the advent of even higher-megapixel sensors and video recording in formats other than 4K.

The Nikon Z7 also has wireless connectivity, which comes in the form of both a standard Wi-Fi connection and Bluetooth. Nikon’s SnapBridge system can also be used, either with Bluetooth Low Energy (LE) to keep the camera delivering low-resolution images to smart devices or with a conventional Bluetooth connection to transfer full-resolution images and videos. The Nikon Z7 can also be controlled remotely via a smart smartphone.

The EN-EL15b battery is rated at 330 frames per charge (according to CIPA standards), which is comparable to several other mirrorless cameras but still on the low side when compared to certain competitors. For example, the Sony A7R III, which is likely the camera’s closest competitor, can shoot 650 frames per charge.

However, most users will be able to capture much more frames than the CIPA estimates suggest, and the fact that the battery can be charged via the camera’s USB-C connector is a bonus. Do you already own a Nikon camera?

If you have a camera that takes the long-standing EN-EL15 or EN-EL15a batteries, you can use these to power it as well, albeit they can’t be charged through the USB connection like the EN-EL15b cell.

3. Nikon D3500

Even though the Nikon D3500 is more than three years old, it remains our top selection for the best beginner DSLR. Why is this the case? While this is due in part to a lack of new competition (most manufacturers have stopped producing new DSLRs), it’s also due to the D3500 nailing the fundamentals in a manner that few other cameras have.

To begin with, it offers the three major advantages that DSLRs have over mirrorless cameras: excellent battery life, excellent handling, and fair value. The latter is due to the D3500’s optical viewfinder, which is superior to the EVFs seen on mirrorless competitors, as well as the fact that its large selection of native lenses is no longer new enough to attract premium prices.

While the D3500’s age helps it save money, it also means it’s missing out on certain new features. The first is the lack of 4K video capture, which is now standard on most modern cameras; but, if you’re content with 1080p resolution (or aren’t interested in the video at all), this shouldn’t be a big deal.

The D3500, on the other hand, has a 1,550-shot battery life and compensates for the lack of a touchscreen with a helpful ‘Guide’ mode for beginners, which walks you through the process of generating effects like a blurred background. This is an excellent technique for beginner shooters to learn how to use manual settings and gain confidence and understanding.

What about the quality of the images? The 24.2MP sensor in the D3500 produces impressive images, but you’ll need to buy in some additional lenses to fully realize its potential. Fortunately, Nikon’s DX system offers a wide choice of lenses to fit almost any shooting style or budget. We recommend getting the D3500 with the AF-P DX 18-55mm.

Although more AF points would have been ideal, the 11-point AF system is adequate for regular photography and can handle certain moving situations quite well. Mirrorless cameras like the Fujifilm X-T200 and Canon EOS M50 Mark II are worth considering if you’re searching for a smaller camera for vacation photography.

The Nikon D3500, on the other hand, is a wonderful choice for an economical, beginner-friendly camera that will teach you the fundamentals of creative photography.

The D3500 has the same effective 24.2MP pixel count as the old Nikon D3400, but it has a newer sensor, with a total count of 24.78MP on the D3500’s sensor, compared to 24.72MP on the D3400.

The D3500’s APS-C sensor (standard for an entry-level DSLR and significantly larger than the sensors found in most small cameras) also eliminates the optical low-pass filter, which helps to improve image quality. The ISO sensitivity range of the D3500 is also quite broad, at 100-25,600, although it does not outperform that of the D3400.

Given that practically all mirrorless cameras (and even smartphones) now support 4K video, the D3500’s ability to capture only Full HD video is a tad disappointing. But it’s not all bad news: the D3500 can shoot in 60/50p, 30/25p, and 24p, and there are other lower-resolution recording options.

You’ll have to rely on the D3500’s built-in monaural mics because there’s no microphone port. If you’re trying to shoot video regularly, you’ll want to go elsewhere, but for those who simply need to capture a couple of clips, it’s a fine setup.

Nikon has also chosen to keep the same 3-inch LCD as the D3400, which has a mediocre 921,000-dot resolution. The screen is fixed and flush with the body; if you want a DSLR with a vari-angle display, look at the Nikon D5600 or the Canon EOS Rebel SL3 / EOS 250D further up the line.

It’s also a little frustrating that there’s no touchscreen, which is a feature that would be ideal for an entry-level DSLR, especially since touchscreens have become second nature to everyone who uses a smartphone.

An optical viewfinder complements the rear display. This is likely the most visible difference between DSLRs and mirrorless cameras. Many similarly priced mirrorless cameras use only the rear screen for shooting, while others have electronic viewfinders (EVF) with rather low resolutions (at this price point).

EVFs provide several advantages, including the ability to see the exposure ‘live,’ ensuring that you don’t receive any unpleasant shocks when you fire the shutter. Modern EVFs are also excellent at what they do these days. However, many photographers prefer the cleaner, lag-free view provided by an optical viewfinder, so there is no one-size-fits-all solution.

The D3500’s optical viewfinder has a coverage of 95%, which is standard for an entry-level DSLR, so you’ll have to be careful while framing some images to avoid undesirable components creeping into the frame’s boundaries. There is no Wi-Fi connectivity, as there is on the Nikon D3400, but there is Bluetooth, which allows you to transmit photographs using Nikon’s SnapBridge feature.

SnapBridge establishes an always-on Bluetooth Low Energy connection between the camera and your smart device, and you may configure it so that photographs are automatically transferred as you shoot, or so that you can choose which images to send afterward.

While the Nikon D3500 can be purchased without a lens, most people considering this starter camera will opt for the 18-55mm lens that comes with the camera for a few extra dollars or pounds. The focal range of 18-55mm, sometimes referred to as a ‘kit’ lens because it is sold as part of the camera’s kit, provides a good basic zoom range to get you started. This category includes anything from wide-angle landscapes to moderate telephoto portraiture.

When seeking to acquire a D3500, it’s worth paying special attention to the lens because there are two variants available. The AF-P DX 18-55mm f/3.5-5.6G and the AF-P DX 18-55mm f/3.5-5.6G VR are both available.

The VR mark is important to note because it indicates Nikon’s image stabilization mechanism (known as Vibration Reduction). Because the price difference between the two lenses is so small, we recommend spending a few dollars or pounds more for the VR version, which will allow you to shoot at slower shutter speeds while still getting sharp results.

How to Choose the Right Vlogging Camera

The key to selecting the ideal vlogging camera is to first identify your specific requirements. Will you be vlogging your action-packed experiences while sitting at a desk and speaking directly into the camera from a short distance away, or will you be rushing around? What will the weather be like in the location where you’ll be filming or streaming?

Aside from your budget, there are several factors to consider when purchasing a camera. The camera’s resolution is quite essential. A camera capable of shooting 4K definition content at up to 60 frames per second is ideal.

The camera’s internal storage capacity for your content (or the maximum capacity of the memory cards it supports), the shooting modes available, the lens’ zoom capabilities, the quality of the built-in microphone, and whether the camera can transfer content to your devices via Wi-Fi or Bluetooth are all important factors to consider.

Take a hard look at how you’ll be holding or mounting the camera based on what and where you’ll be filming or streaming, and make sure it’s capable of shooting the types of video you want to generate. For example, having a viewfinder display on the front (as well as the rear) of the camera is quite beneficial if you’ll be moving around and directing the camera at yourself.

You should also make sure that you can hold the camera comfortably in your hands without unintentionally blocking the lens, and that all of the menu settings and controls are properly accessible.

To create the unique and visually compelling content that your audience will demand, make sure the camera offers the right collection of accessories, tripods, stands, handles, external microphone options, durability and portability you’ll need, and that the camera’s battery life meets your needs so you won’t constantly have to swap batteries or pause to recharge the camera.

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