Best Cameras For Vlogging

We can assist you in your search for the best cameras for vlogging. Vlogging has never been easier, and there are many wonderful cameras to choose from, ranging from inexpensive beginner’s versions to larger systems built for individuals who want to generate professional-grade videos.

What you buy will be determined by your requirements. We’ve divided our list into categories and given the key information for each camera. Some of these cameras shoot at extremely high resolutions and frame rates, while others have more modest sensor specs but compensate with features like a lightweight design or long battery life.

Focusing capability is also vital; depending on the type of vlogging you perform, you may be capturing unpredictable subjects, in which case having a reliable, capable autofocus system is advantageous.

Best GoPro Cameras

1. GoPro Hero9 Black

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GoPro has altered the design of its flagship action camera for the first time in years. The Hero9 Black ($349.98 with a one-year GoPro subscription) is slightly larger than the still-on-sale Hero8 Black from last year.

It makes good use of the extra space by giving the battery a boost, replacing the obsolete monochrome information panel with a full-color front display, and adding compatibility for add-on lenses. If those changes appeal to you, it’s another good GoPro product, but it’ll have to compete with last year’s amazing Hero8 Black, which is $50 less expensive.

At just 2.8 by 2.2 by 1.3 inches (HWD) and 5.6 ounces, the Hero9 features a redesigned chassis that is somewhat larger than the previous generation, but it’s still one of the smallest 4K cameras out there, and certainly the tiniest we’ve seen with capabilities for 5K recording.

The larger frame houses a larger battery, a larger back touch LCD (2.3 inches), and a color display on the front, similar to the DJI Osmo Action, so you can maintain your framing fixed when shooting selfie photos for vlogs and other purposes.

The Hero9’s mounting clips are built into the frame and fold into the body for storage—when they’re folded in, the Hero9 sits upright on a flat surface. Small cameras like this work best when they’re attached to something, like the front of your surfboard or a selfie stick. The back of the phone is almost entirely made up of a screen, with a small amount of bezel.

The view is a touch bigger than the Hero8, but it’s not a huge improvement—just a good use of space. The Hero8’s UI hasn’t changed; you still have simple access to a variety of adjustable video settings, which is a plus given the wide range of resolution and frame rate possibilities.

If your fingers are a touch clumsy, the slightly larger display means slightly larger icons and buttons. Early Hero9 adopters were confronted with a mediocre touch interface, but GoPro has worked to enhance the screen with firmware updates.

The Hero9’s display responded to almost all of my touches once the firmware was upgraded, except for glancing taps. In a nutshell, it performs as intended. The user interface still has a tiny lag in reaction, just enough to be noticed, but it’s not a deal-breaker—simply it’s not as quick as the Hero8. Although the front screen does not support touch and does not provide a wide-screen view, it is enough for gauging your frame.

It makes mounting the camera and framing a shot a little easier, especially if you’re attempting to include yourself in the shot. If you want to observe proper framing, you can add letterbox bars, but the image will be noticeably smaller. You can also use it as an information display, as you could with the Hero8 and previous models.

There are also voice commands accessible. “GoPro, record,” for example, is a command that the camera will follow. It’s a function I usually disable because, while it works, it can be a little too eager to listen. On several occasions, I’ve had sounds from the TV, which was close to my camera charging station, start a GoPro recording with other models.

However, the Hero9 allows you to disable the Wake on Voice feature, limiting voice control to when the camera is already turned on. The Hero8’s add-on attachments (dubbed Mods by GoPro) are still available, but due to the change in form factor, you’ll need to purchase new ones. For $79.99, you can upgrade to a Media Mod frame with improved audio and a handful of accessory mounting shoes. A larger 2-inch front-facing LCD and an on-camera light are also available as options.

Best Drone For Vlogging in 2022

The Max Lens Mod ($99.99) is a new add-on lens that works with the Hero9. The converter lens expands the field of view to a maximum of 155 degrees and supports horizon lock in all stabilization settings. Even if the camera is mounted in a plane conducting a barrel spin, as GoPro demonstrated in some sample footage, you can keep your horizon set with it on. We haven’t gotten a chance to put the lens to the test.

The Hero9 Black Bundle, which costs $50 more than the ordinary GoPro, is also available. A second battery, a 32GB memory card, and a handhold grip, among other tiny additions, are included. If you’re thinking about getting more batteries, this is an excellent deal.

The camera comes with a carrying case, but that’s included with the camera as well—GoPro has made the switch to plastic-free, reusable packaging with this release. Bluetooth, GPS, and Wi-Fi are all included, as well as a MicroSD slot and a USB-C port for charging and video offloading to a computer. Wi-Fi connections are required for sending footage to a tablet or phone for editing.

GoPro claims that the Hero9 with the largest battery will record for longer, which is true, but how much longer depends on your video settings. The Hero9 Black can record for around 80 minutes at 5K 30fps before shutting down with a low-battery alert, which is about 10 minutes longer than the Hero8 can at 4K 60fps.

There are various capabilities incorporated with the camera that help mobile editors with wireless transfers. It can record short movies with preset lengths ranging from 15 seconds to three hours, and a new Hindsight mode continually buffers 30 seconds, saving the video only when you tell it to.

Hindsight will save you from having to sift through all of your unsuccessful attempts at YouTube fame if you’re trying to put up a Rube Goldberg contraption and record it precisely.

The image sensor in the Hero9 has been upgraded for the first time in a long time, increasing still resolution from 12MP to 20MP and video resolution from 4K to 5K—though we think most people will stick to 4K and lower resolutions for more flexible frame rate options.

You can only capture in 24p or 30p at 5K, which is ideal for vlogs or incorporating action cam video into a film project. It nearly matches the feature set of the Hero8 in 4K and lower resolutions, with up to 60 frames per second in 4K, 120 frames in 2.7K, and 240 frames per second in 1080p.

You can choose between GoPro Color, which is ready to edit, and a flat profile, which allows you to fine-tune color on your own. You may also change the angle of view—you can choose between an ultra-wide view with some curved distortion for work in tight areas and large views or a Linear look that straightens lines while still offering lots of coverage.

Every mode has the option of stabilization. GoPro’s digital system is dubbed HyperSmooth, and it lives up to its moniker. The camera does an excellent job of removing bumps and jostles from handheld footage. There’s also a more powerful setting, HyperSmooth Boost, which you may use if you’re recording an extremely intense activity with a lot of camera movement, but it does crop the image slightly.

Best Waterproof Camera in 2022

2. Sony ZV-1

The Sony ZV-1 ($799.99) is the first tiny camera designed specifically for vloggers. It borrows a lot of technology from the RX100 series, including the RX100 VA’s lens and the RX100 VII’s imaging engine. Those versions, on the other hand, are designed for still photography, whereas the ZV-1 has a more video-friendly design, with a flip-forward LCD and a best-in-class internal microphone.

The lens is a touch tight for walk-and-talk film, and the battery life is lacking. It’s a solid camera for vloggers, but not a home run. The ZV-1 is a compact camera with dimensions of 2.4 by 4.2 by 1.7 inches (HWD) and a weight of 10.4 ounces. Although the lens does not completely retract into the housing and protrudes a little, it is small enough to go into most pockets.

The body is made of a composite material, which is a departure from the RX100 series’ metal appearance. If you ask me, it’s a good chance—the body feels solid, and the finish will likely last longer. A little amount of metal remains surrounding the lens, providing additional protection. The ZV-1 also has a small handgrip, which isn’t found on the RX100 line.

Unfortunately, it’s not a strong grasp. In most scenarios, it makes the camera less comfortable to carry in the hand, however, I liked it for selfies and vlogs.

With the grip installed, the ZV-1 is more pleasant to operate. Basic controls are also included, such as buttons for taking photos and starting and stopping video recording, as well as the customizable C1 and a zoom rocker. There’s also a lock switch so you can turn off the controls if you want to. Tilt and rotation can be adjusted on the head.

More control buttons and choices are found on the ZV-1 than on the grip itself. The On/Off, Mode, Record, and C1 buttons, as well as the shutter release and zoom rocker, are all located on the top plate. The hot shoe and built-in mic are located on the top—the On/Off button is visibly concealed but remains accessible if you use the provided windshield to protect the mic.

The swing-out LCD dominates the back. It also functions as a power switch, which is useful if you’re using the windshield and can’t find the On/Off button by feel. When the LCD is closed, the screen is protected and the camera is turned off; swivel it open or swing it out to the side, and the camera automatically turns on.

The rear buttons are tucked beneath the thumb resting on the right side. A flat command dial with a center button and four directional press controls, as well as Fn, Menu, Play, and C2/Delete keys, is available.

Fn brings up a menu on the screen. It provides quick access to several important features, such as focus settings and skin smoothing choices, however, even though it supports touch, Sony’s touch capabilities are severely limited. You should be able to tap the screen to open and traverse the Fn menu on a camera like this, which is designed to have the screen facing you while filming, but you can’t.

It’s a shame because the only thing you can do with touch in photography is tap and select an object of interest to focus on. The 3-inch screen is big enough to accommodate a tappable Fn icon. It features a Sunny Weather option that makes it bright enough to use on the brightest days and is reasonably clear (921k dots).

Although the ZV-1 is a small camera, it does come with a hot-shoe. It’s primarily for microphone use, but it can also be used as a radio transmitter for an off-camera strobe, which is a benefit for photographers who already own Sony interchangeable lens gear and are considering adding the ZV-1 to their creative toolkit.

The battery life isn’t very good. The compact NP-BX1 battery is used in the ZV-1. It has a battery life of roughly 260 shots or 45 minutes of video recording time. In the field, I got less than that, almost exhausting the battery in a few hours of normal use, combining video, photography, and playback. The battery drains quickly when the Sunny Weather LCD setting is used frequently, as well as when the Bluetooth grip is used.

Although you can charge it on the move using the USB connector, we’d like to see Sony develop a better power solution for their tiny cameras. The ZV-1 has the same sensor as the RX100 VII, which is one of the fastest-focusing point-and-shoots on the market.

It locks without a visible display, captures bursts of 24 frames per second in Raw or JPG format without losing view of your subject, and has all of the same advanced subject tracking features as its professional full-frame counterparts.

The lens of the ZV-1 is well-known. For years, Sony’s 24-70mm f/1.8-2.8 zoom lens has been a staple of 1-inch sensor format cameras, dating back to the RX100 III from 2014. It’s razor-sharp across the zoom range, and its brilliant f/1.8 aperture is fantastic for blurring away backgrounds, giving your photographs and videos a shallow bokeh effect without the need for the software techniques used by smartphones to achieve the same effect.

The zoom range is a little short; Sony’s newest RX100 models have a 24-200mm f/2.8-4 zoom, while Canon’s Livestream-capable GX 7 Mark III has a somewhat longer 24-100mm f/1.8-2.8 zoom.

However, it’s difficult to argue with the short zoom’s quality. It also has a three-stop neutral density filter built-in, which is useful for videographers who want to keep an eye on shutter angles and photographers who want to take long-exposure shots in daylight. Because the filter may be turned off, it does not affect low-light photography. The ZV-1 is equally proficient at video and stills.

It can record 4K footage at 24 or 30 frames per second and 1080p footage at up to 120 frames per second, giving you more options for slow-motion playback when working on HD projects. For extreme slow-motion effects, you may also use High Frame Rate (HFR) capture at 240, 480, or 960 frames per second—it works well, but it takes some time for the in-camera processing to render out clips.

3. Sony A6000

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The Sony A6000 has long been one of our favorite entry-level cameras, and a great deal for people who don’t need a 4K video. While the A6000’s specifications haven’t changed, its price has. For a long time, Sony’s policy was to keep earlier models on sale at continuously decreasing costs, which made the A6000 an enticing budget buy.

However, prices appear to be rising, indicating that either Sony has recognized this camera is better than it expected or that it is nearing the end of its marketable lifespan.

In-camera standards, the Sony A6000 was released in 2014, which is a long time ago. Is it still competitive in today’s market – especially since five newer versions in the same product line have replaced it?

Yes, but only in a limited sense. Because of its still-great performance and incredible value for money, the Sony A6000 remains one of the greatest Sony cameras, as well as one of the best mirrorless cameras. While their specifications have deteriorated with time, they are still adequate for most still photographers.

The A6000 is a small and stylish camera with a 24.3MP APS-C CMOS sensor. It competed with midrange cameras when it first came out, but its low price point now makes it a viable option for those looking for an entry-level body. However, even though we consider it one of the best cameras for beginners because of its low price, it is significantly more powerful than these.

The A6000 has a 24-megapixel APS-C sensor, which was state-of-the-art when it was released in 2014, and only a few APS-C cameras have improved on it since then. There are 179 phase-detection autofocus points on the image sensor, as well as 25 contrast-detection focusing points for the hybrid AF system.

Sony stated at the time of its debut that the camera featured the world’s fastest autofocus among cameras with an APS-C sensor. Even by today’s standards, it still feels extraordinarily sensitive, even though a few cameras have undoubtedly improved on it since then.

The A6000 has a tilting LCD screen on the back, which is joined by an electronic viewfinder, which is the same 0.39-inch, 1.4-million-dot unit featured on the RX10 premium bridge camera’s first edition. The A6000 has built-in Wi-Fi and NFC, which is in line with the current trend.

The A6000 comes with a 16-50mm f/3.5-5.6 power zoom lens as its standard kit lens — a lens that is still included with newer analogs, such as the Sony ZV-E10 vlogging camera. You can also buy just the body of the A6000, allowing you the option to choose from the wide range of E-mount lenses that are currently available.

The Sony E 18-135mm F3.5-5.6 has a far larger zoom range than the ordinary superzoom lens and outperforms it. The A6000 is ideal for those who like a lot of dials and buttons. It has a lot of controls, and like other Sony cameras, almost all of them can be customized to enable you to fit the camera to your shooting style.

The A6000’s grip is slightly pronounced, making it quite comfortable to use, yet with a longer lens like the Sony 18-135mm f/3.5-5.6, it becomes a little front-heavy. The camera is also covered in lovely material. Two dials are located on the top of the camera: one controls the shooting mode (such as automatic, semi-automatic, or manual), and the other controls the shutter speed or aperture, depending on the mode.

Setting the AF point on this camera would be faster with a touchscreen, but it’s not too awful if you use the right custom buttons. Set the Focus Area to Flexible Spot to make things go faster. To bring up the focal point selection option, simply push the button in the center of the scrolling dial on the rear of the camera.

The directional keys can then be used to move around the screen. It’s worth mentioning that when Flexible Spot is selected, this is the default option for the central button; if it’s set to anything else, it won’t operate properly.

The screen tilts, even if it isn’t touchscreen, which is useful for photographing from unusual angles or hiding the screen from glare. It’s also a ‘widescreen, which means it doesn’t utilize the entire screen width in the standard 3:2 aspect ratio for stills, making the screen feel small and cramped. It’s also not very scratch-resistant; over the years, ours has picked up a few scrapes and dings.

Except in direct sunlight, when it gets lost in the glare, the viewfinder is bright and clear. The 1.44 million-dot EVF isn’t very high-resolution by today’s standards, but it gets the job done – and getting a viewfinder on an APS-C mirrorless camera at this price is especially welcome.

You won’t get a front-facing screen or 4K footage with this camera (it’s limited to full HD), but that represents the market at the time it was released. Still, for still photographers, it has pretty much everything you’ll ever need, even now. Its continuous shooting speed of 11 frames per second is very amazing.

Best Nikon Cameras For Vlogging

The fundamental driving force behind the A6000-series cameras has been to constantly improve video capabilities. If you don’t require video, the A6000 isn’t far behind the competition. Although image processing has improved and autofocus has become more advanced, the design, handling, and sensor have remained mostly unchanged.

If you wish to shoot video, the new Sony ZV-E10 or the A6100, the A6000’s replacement, are significantly superior. Both are more expensive than the A6000, but they are becoming more affordable, and these are far more sophisticated video cameras. Many of the most fascinating tiny system cameras currently on the market are from Sony’s A6000 series, which began with the A6000.

Even by today’s standards, the A6000 is a fantastic camera. Its visuals are razor-sharp and have richly saturated colors. By altering Creative Styles – some of which are accessible as pre-stored options – you can experiment with how JPEGs look right from the camera.

The A6000 renders detail quite well. In general, image smoothness becomes a problem for normal printing sizes in shots taken at ISO 3,200 and higher. When looking at photographs at 100% from ISO 1,600 on up, you’ll notice sections of the image that have a painterly style, but the overall result is good. The A6000 does start to lag behind the current cameras when it comes to high ISO quality.

Although the camera’s metering system performs a fair job with exposure, it sometimes struggles in high-contrast scenes, necessitating exposure adjustment. Similarly, the automated white balancing mechanism does a good job, however, some artificial light sources can throw it off.

Autofocusing speeds are fast in excellent light, slowing as the light level drops, and only struggling to lock on in very dark settings.

The 16-50mm f/3.5-5.6 kit lens is an excellent all-arounder to start with, but what you get in compactness you lose in image quality, so if you want to see the best this camera has to offer, you’ll want to replace it with something better (we recommend the Sony 18-135mm f/3.5-5.6 long-zoom lens).

Although the battery life of a mirrorless camera isn’t poor, it’s still recommended to invest in a spare battery if you travel or go on longer trips. Can a camera that was released in 2014 and has since been superseded by five new versions still be competitive? True, the A6000’s specifications are now outdated in comparison to what’s come since, but only in a few crucial areas.

Newer cameras include 4K footage and more complex AF systems, but for most of us, the A6000’s AF is more than adequate. It was ahead of its time and continues to hold up today.

The Sony A6000’s pricing is the deciding factor. Year after year, Sony has kept it on sale, and at constantly decreasing costs. Get the A6000 if you want a low-cost mirrorless camera that performs far better than its pricing suggests. We hope Sony continues to produce it for many years to come!

Best cameras for vlogging

Buying Guide

What constitutes a decent vlogging camera is mostly determined by your filming requirements. Everyone has different aims when it comes to the types of vlogs they want to make, thus everyone will have varied expectations from their camera and equipment, as you know. However, there are a few general features to look for, so let’s go through the most significant ones quickly.

1. Image Quality

Image quality is the most significant feature of a vlogging camera, and video resolution is one of the most crucial indications of image quality. In 2021, three video resolutions will be widely used: 720p (HD Ready), 1080p (Full HD), and 4K. (Ultra HD).

Look for a camera that records in at least 1080p or ‘Full HD’ resolution. Anything below that falls below the average quality of YouTube vlogs and may stifle your channel’s growth. For those on a restricted budget, we have two 720p vlogging cameras featured in this article; but, if you have a larger budget and want the best vlogging camera, choose one that shoots in 4K or Ultra HD, or at the very least Full HD.

2. Weight

Vlogging cameras should be light and portable so that you can take them with you wherever you go. Heavy/bulky cameras are difficult to carry about all day, and it’s difficult to gather footage for your vlogs if you don’t have your camera.

The vlogging cameras we propose in this tutorial are quite light, so you can carry them about all day without becoming tired, but we also offer some heavier DSLR vlogging cameras that can be mounted on a tripod.

3. Optical Image Stabilization

Vlogging while walking or doing other activities that require a lot of movement is fairly frequent. Although YouTube and video editing software may greatly aid in the stabilization of footage, nothing beats the quality of a vlogging camera with built-in optical image stabilization. This feature improves the quality of your vlogs by preventing shaky video footage.

4. Audio

If your viewers can’t hear you speak, they won’t stay for the full vlog, which is why, in some circumstances, audio quality is even more crucial than video quality. While every camera has a decent built-in microphone, these mics are notorious for picking up undesirable background noise (wind noise, traffic etc.). This is why, when it comes to vlogging gear, getting an external microphone is a must.

5. Autofocus

Vloggers frequently move between shooting themselves and filming their surroundings, so your camera must swiftly focus when you point it to a different subject. It can be aggravating to have to wait for your camera to focus or to discover afterward that the footage you just took is out of focus. All of the cameras in this article have excellent autofocus, making them great for vlogging.

6. Battery Life

If you’ve got your heart set on a particular camera, make sure to factor in the battery life. If you’ll be out and about all day, it may not be practical to recharge the camera every couple of hours, so either invest in a vlogging camera with long battery life or get additional batteries to carry with you.

You don’t have to worry about the battery life if you’re largely going to be making films from the comfort of your own home.

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